The libretto was written by Nicolas-François Guillard. It was recently revived at the 2009 Festival della Valle d'Itria at Martina Franca. © Opera-Arias.com 2011-2019. Both men readily agree, and Iphigenia chooses Orestes to survive. Informazioni Iphigénie en Tauride Cara lettrice, caro lettore, il sito internet www.librettidopera.it è dedicato ai libretti d'opera in lingua italiana. The 26 February performance was transmitted live in movie theaters around the world as part of ". The production of Iphigénie en Tauride was made possible by a generous gift from Mr. and Mrs. Howard Solomon. Romantic interest is peripheral to Greek drama, but Iphigénie en Tauride, 'the first opera without love to exist in our theatres'[25] must be one of the few major operas to forego the theme altogether. The priestesses sing a hymn to Diana as they lead Orestes to the altar (Chorus: Chaste fille de Latone). Coltellini's and Traetta's ideas on how to reform opera were similar to Gluck's and Gluck himself conducted the work in 1767. One, pp. Performed by the singing-actors of the USC Thornton Opera program in cooperation with the USC Thornton Symphony, this is a rare opportunity to see a late eighteenth century work that revolutionized the operatic art form. Orestes half falls asleep (Le calme rentre dans mon coeur), but he is tormented by visions of the Furies, who wish to avenge his slaying of his mother (whom Orestes killed for murdering his father Agamemnon). Gluck in four acts. [1], In 1781 Gluck produced a German version of the opera, Iphigenia in Tauris, for the visit of the Russian Grand Duke Paul to Vienna, with the libretto translated and adapted by Johann Baptist von Alxinger in collaboration with the composer. Some think that the head of the Paris Opéra, Devismes, had attempted to stoke up the rivalry between Gluck and Niccolò Piccinni, an Italian composer also resident in the French capital, by asking them both to set an opera on the subject of Iphigenia in Tauris. In order to fulfil the oracle’s prediction, Iphigénie must kill any stranger landing on the shores of Tauride. After Iphigenia and the priestesses depart, Thoas brings in the Greeks, who turn out to be Orestes and his friend Pylades. An 1805 French edition of De la Touche's play is accessible for free online in, "Salentonline.it – il portale del Salento", Portrait of the opera in the online opera guide www.opera-inside.com, https://en.wikipedia.org/w/index.php?title=Iphigénie_en_Tauride&oldid=987090813, Articles with Italian-language sources (it), Wikipedia articles needing page number citations from November 2018, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Music for the Furies in act 2 from the ballet, Some music in the climactic final scene of act 4 was taken from, Cumming, Julie E., "Gluck's Iphigenia Operas: Sources and Strategies" in, This page was last edited on 4 November 2020, at 21:17. The happy reunion of sister and brother is cut short at news that Thoas is coming, having heard that one of the captives was released and intent on the blood of the other. Arias | The ultimate source of the drama was Euripides' tragedy Iphigenia in Tauris. Iphigénie en Tauride was first performed on 18 May 1779 by the Paris Opéra at the second Salle du Palais-Royal and was a great success. In 1763 a "reform opera" on the subject by Tommaso Traetta with a libretto by Marco Coltellini, Ifigenia in Tauride, appeared on the Viennese stage. The libretto was written by Nicolas-François Guillard.. With Iphigénie, Gluck took his operatic reform to its logical conclusion. Iphigénie en Tauride, Wq.46 (Gluck, Christoph Willibald) Movements/Sections Mov'ts/Sec's: 4 Acts Composition Year 1779-05-18 in Paris: Theatre of the Palais-Royal Genre Categories: Everyone but Pylades departs, and he closes the act by promising to do everything possible to save Orestes (Divinité des grandes âmes!). Iphigénie en Tauride (Iphigenia in Tauris) is an opera by C.W. When Iphigenia returns, Orestes insists that she reverse her decision, threatening to kill himself before her eyes if she does not. Opera in 4 acts; Libretto: A. du Congé Dubreuil, after Euripides; First performed : Académie Royale de Musique (2 e salle du Palais-Royal), Paris, 22 January 1781; Piccinni’s best-known opera today, though, is a historical footnote. [27] Gluck knew that his earlier Italian-language operas and the ballets and opéras comiques he had written for Vienna were never likely to be played again, whereas the French had a tradition of keeping successful operas in the repertory. To survive he stands she asks the goddess Diana to help her steel herself for the French ''. Conquest of Troy ideas on how to reform opera were similar to Gluck 's and Gluck conducted..., Orestes insists that she reverse her decision, threatening to kill himself her! Grands dieux comes to remove Pylades revival of this production was made possible by generous. 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